Going, Going, Gosh (1952) As Recommended Dose Of RR and Coyote
How Valuable Is Jones Inscribed Art Like This ... Did He Do and Sell Them By the Hundreds?
It's best never to exceed prescribed limit of Road Runners. I've witnessed overkill of them and that can get ugly. Two was my limit last night, and though I could have watched more, one must push away from the table short of gorging. There is hot fudge cake at Glenn's Tastee-Freez that I had every day for weeks at a 1978 juncture, reached saturation, and haven't touched since. The cake's still good, Glenn still serves it, but I'll not indulge again, point being to avoid same with cartoons fudge-rich as Road Runners. Chuck Jones' output of these are each and all terrific, largely for his abiding to set rules and never letting his Roadrunner/Coyote engage beyond the (anything but) simple chase. I'm told of ones that call these art, for starksetting and humor conveyed minus dialogue. Roadrunner may be the WB character that appeals most to both class and mass. It must have appealed to Chuck Jones, an aspiring intellectual, to think so. They say Jones had a mighty ego, but for these, he was entitled. Look what the networks did with Roadrunner on Saturday mornings ... hour-long programs devoted to him (but was it actually a him?) and Pals. Backgrounds of Going! Going! Gosh! look like MonumentValley. If the real-life place is "John Ford Country," shouldn't its animated counterpart be "Chuck Jones Country"? Road Runners are probably the funniest of cartoons Warner did after the war, though I realize that's a matter of opinion. Just hold yourself to two, or certainly no more than three, at a sit.
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